This exhibition is planned to show one of Kim’s work from the ongoing sound project named ‘the Tin drum’, relying onto the original text by Günter Grass. At this time the sets of works come under the name of , including interactive sound installation where audiences’ bodies play a crucial role to directly operate sound and light. By making the seer to have an experience of being excluded as the very physical feeling, Kim tries to deliver the ‘horror’ in more active and responsive way on site.

Kilde: Facebook